Side Profile Man Body Drawing Muscle
Drawing Anatomy for Beginners, Learning the Ins and Outs
When it comes to learning how to draw people successfully, knowing human anatomy is key. Jeff Mellem, creative person and author of How to Draw People , shares the summit dos and don'ts of drawing anatomy for beginner artists and so yous can offset drawing more realistic figures in no fourth dimension.
Figure Drawings excerpted from "How to Draw People" by Jeff Mellem
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1. DON'T think like an anatomy book
Drawing beefcake for beginners can feel overwhelming at first because there are so many muscles on the body. When you're looking at a model and you see a lot on bumps, y'all might be tempted to pull out an anatomy book to decipher what'southward going on under the skin.
An beefcake volume is great at telling you what you're looking at but it'due south not very helpful at telling y'all the iii-dimensional shape of the muscles.
DO think in uncomplicated volumes
When you first arroyo effigy drawing, yous need to commencement out with establishing the bones volumes of the figure using spheres, boxes, and cylinders. By only beginning with these bones shapes and so building upward the complexity as you get along, you will be able to make your drawing maintain its sense of dimension.
If you copy contours before you build in the structure, I guarantee you lot'll end up with a flat-looking drawing.
The cartoon on the left overemphasizes the model'southward muscles and it looks more like an beefcake book than a figure. An artist needs to think near the 3D shape of the muscles to give the figure an illusion of volume.
The Takeaway:
Use an anatomy volume to understand what'south below the surface merely think about each muscle in 3D. Don't draw the muscles as a series of lines. Depict them equally sculpted spheres, boxes and cylinders.
With that being said, you don't e'er have to actually draw spheres and boxes on the folio. If y'all look at an artist like Harry Carmean, you can meet that while he sometimes is only cartoon counters of the body, he is conspicuously thinking about the 3D qualities of what he'south cartoon.
2. DON'T make muscles the focus
When artists first start paying closer attending to adding anatomy to their drawings, they often have a tendency to overemphasize the anatomy. The figures oft finish up looking like they take no skin. The muscles are in that location to add together more than realism to the figure, but they shouldn't exist the focal signal of the cartoon.
Practice utilise muscles to reinforce the action
The focus of a cartoon should convey an action, an emotion or the bailiwick'due south personality. You don't want a viewer to end and await at the parts of your drawing; you want the viewer to see the whole figure and exist interested in what that figure is doing and who he or she is.
In order to maintain focus on the action it's ever a great practice to commencement all your drawings with a gesture drawing. A gesture cartoon serves equally a blueprint for the action. Everything that comes afterwards is to assistance clarify and heighten that action.
The muscles should be drawn to amplify the motility of the figure and shouldn't describe attention to themselves. A good example of this is comic book characters that accept exaggerated beefcake to convey their force.
A successful comic book page isn't most the character'south muscles but about how that character's power is existence expressed in the story. The volumes of the muscles are designed to lead the centre through the body toward a point of activeness. The reader isn't stopping to look at the character's well-developed musculature.
Notice how the muscles in the figure on the right reflect the gesture cartoon on the left. The muscles are used to reinforce the figure's action, they aren't the focus of the drawing.
The Takeaway:
Anatomy is there to add together realism merely it'south less important then carrying the action and attitude of the whole figure.
3. DON'T draw every figure with the aforementioned shapes
When artists kickoff using basic shapes to develop figures they ofttimes start to fall into a design of using the same shapes to build every figure.
DO observe and adapt to your figure's unique build
When you're building your figure you accept to look and arrange your shapes to the specific subject you're cartoon. You're not going to use the same shapes for a bodybuilder that you would a sumo wrestler or a long distance runner.
You take to look at your subject and effigy out what unproblematic shapes are the all-time tools to develop your effigy. For instance, some people have very squarish heads which needs to exist constructed from box shapes while others have a more roundish advent that should exist built from spheres.
These ii figures are in the aforementioned pose but are built from dissimilar shapes. The figure on the right is built from more block shapes and it gives the figure a sturdier feeling.
The Takeaway:
Don't approach every figure with a formula. Instead, detect and adapt your shapes to fit your field of study.
4. DON'T re-create what you lot see
If you only copy what you see y'all will never create what you imagine. I never saw the point of replicating a photo in a drawing beyond being an exercise to build observational skills. Why duplicate what already exists when you can interpret and suit as you meet fit?
DO recreate what you see on the page
Observational skills are of import just not just for copying what you run across. Employ your observational skills to analyze your subject'southward unique shapes so you tin reinterpret it on the page. That means y'all aren't copying counters of the torso. Instead you're recreating a effigy on the page from the ground up.
Y'all start past capturing its movement in a gesture, rebuild the figure three-dimensionally using basic spheres, boxes and cylinders, and so sculpt those simple shapes into anatomical forms. This is a very dissimilar process than just replicating what yous see.
You lot're combining what you see with your 3D cognition of anatomy to recreate the figure on the folio. This will not only help you to develop drawing that have a sense of mass but also will allow you lot to adapt and change the figure to create something new.
This is just a fun cartoon to assist illustrate that you lot demand to understand the 3D shapes of a effigy and then you can reassemble them on the folio. This is a different manner of thinking than only copying the contours you see.
The Takeaway:
The job of an artist isn't to replicate what he or she sees. It is to interpret what he or she understands. When drawing a effigy, you bring in your knowledge of anatomy and volume to draw a figure rather than just copying contours and values.
5. Do pay attention to proportions and anatomy
To draw a realistic figure, yous need to pay attention to accurately capture the figure's proportions and anatomy. This comes from both studying anatomy and having skillful observational skills.
DON'T be overly rigid.
Anatomy and proportion are of import. Just alone, they don't make for an interesting drawing. A effigy drawing that feels like information technology has personality or appears dynamic is going to be more than interesting than one that is technically correct.
Let the anatomy and proportion take a supporting role to the underlying gesture drawing. Every step of your drawing should exist to create a unified effigy that has energy and attitude even if that ways altering the figure's proportions or beefcake to ameliorate emphasize that activeness.
This figure has exaggerated proportions – similar to those used in style drawing. It doesn't matter that information technology'south non correctly proportioned if the conclusion to exaggerate is purposeful. You can find many examples of artists who misconstrue and exaggerate proportions for stylistic reasons.
The Takeaway:
Cartoon great anatomy helps artists create realistic-looking figures that appear to have actual mass and book. However, the beefcake needs to add to the sense of movement of the figure and non distract from it. You must have the skill to exist able to draw the muscles in 3D in guild to modify and adapt the shapes and emphasize the motion and personality of your subjects.
More Resources on Cartoon Beefcake and Figures
- 3 Mistakes You Make When Cartoon the Figures
- Effigy Drawing Methods of the Masters
- Drawing Dynamic Human Figures
- Train Your Center With Figure Sketching
- 5 Figure Cartoon Tips
Source: https://www.artistsnetwork.com/art-techniques/beginner-artist/drawing-anatomy-for-beginners/
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